After a long and difficult search for movie reviewers, LoyarBurok finds Wai’s review of “Inception” making its viral rounds by email and generating much commentary. The review is as awesome as the movie, and Wai has agreed to write regularly for LB! What better start than to discuss a blockbuster. His movie review column with us launches here and now, but ~sigh~ (as has been a common trend recently) our LoyarBurokkers will soon be poached and asked to write for other media or organisations. National service. Just wait and see.

In the meantime, “I think therefore I am”. Life as we know it could all just be a dream.


That’s the word that came to my mind after it had spent some time processing Christopher Nolan’s “Inception”.

The British auteur is often criticized for his cold, aloof, mechanical approach to his films. In that respect, he’s been compared to legendary director Stanley Kubrick. Precisely conceived and methodically constructed, Nolan’s body of work thus far has always been intellectually rewarding but seldom emotionally fulfilling. In short, the man puts head above heart.

Inception Photo 1

Looks like he’s finally broken that trend. “Inception” has a lot of heart, dark as it may be. It is still first and foremost a cerebral experience, but this time there is a depth of feeling only fleetingly present in previous films. More importantly, the emotions of this film feel naturally woven into the narrative. Perhaps this is a progression of Nolan’s favoured (and recurring) theme: loss of control. In “The Dark Knight” it was embodied by the anarchistic Joker, in “The Prestige” it was the escalating feud between two magicians, and in “Memento” it was the protagonist’s amnesia. All those films dealt with emotions like hopelessness, anger, and nostalgia. But they were not central to the story, except “Batman Begins”, which was all about fear. But that story wasn’t originated by Nolan.

“Inception” plays a new riff on an old motif. How do you maintain control if you’re in a place where you have almost no control: someone else’s dream? And what happens when your heart keeps betraying your mind in a place like this? It’s a very intriguing premise, and the first time Nolan has so organically married the workings of the human mind with the workings (and failings) of human emotion.

The carrier of this premise is Dom Cobb, played by Leonardo DiCaprio. For the uninformed, Cobb is an extractor, a thief who specializes in stealing ideas from other people’s dreams. He is the best at it. Except for one small problem. Wracked with guilt after the death of his wife, she continues to pop up in his subconscious as a ghost that sabotages his dream-time incursions. It’s no coincidence that she’s named Mal, as in malfunction. She is the personification of what’s gone wrong with Cobb. She is also a terrific narrative device for the film.

There are actually two stories being told. One is that of a traditional crime flick where the goal is to plant an idea, or inception, in the mind of a billionaire industrialist’s heir. The other is Cobb’s story. It’s a testament to Nolan’s skill as a writer that he managed to layer Cobb’s personal tragedy on top of the overarching heist plot in a totally natural way. Too many films have tried, and failed, to incorporate a character’s past into the present plot. They usually felt contrived or unnecessary. Here, it’s organic. Essential.

Dreams within dreams

In order to successfully perform inception, the team must go deep enough into the subject’s mind. And that means dreams within dreams. It’s a really cool concept, especially in its rules. In a dream, time passes faster. So every subsequent level of dream is an exponential increase in time. Seconds in the real world mean minutes in the dream, and hours in the dream inside of it, and so on. This allows Nolan all sorts of crazy set-ups, like where a moment of falling translates into an entire sequence of weightlessness. By creating a world where the rules operate on such a different logic, the challenges faced by the characters seem fresh and unpredictable. There were scenes where I had genuinely no idea how things would turn out. That is rare, in this day and age where we have seen it all.


What is expected however, is the quality of the performances. Nolan has built a reputation as an actor’s director. Fresh off “Shutter Island”, DiCaprio essays another fractured psyche trying to hold it all together. Unlike the Scorsese pic where he was required to play it really frayed and frazzled, here he is almost calm in his emotional disintegration.

Nolan coaxes a slow-burn performance out of DiCaprio, and it works. A plot as complex as Inception’s requires a measured pacing of all the information presented to the audience. For the exposition of how the dream world operates, he has audience surrogate Ariadne, played by Ellen Page. Her own gradual immersion eases us into the hows, the whats and the whys. Similarly, in getting to know the whos, Nolan lets us follow DiCaprio into the void, step by step. It’s a great example of script and acting working in tandem to paint a complete characterisation. When Cobb finally comes to the end of his emotional journey with Mal, the scene(s) are all the more poignant and powerful. Marion Cotillard plays it dark, unhinged and lethal as Mal, and her scenes with DiCaprio have a vitality I’ve seldom seen in on-screen couples. She’s always a pleasure to watch, both as a performer and as eye candy.

Converging thematically with his own personal story is Robert Fischer Jr (Cillian Murphy), the heir whose mind the team has hijacked. Nolan sneakily plants subtle visual cues throughout the film that pay off very effectively at the climax. Murphy’s detached demeanour for most of the film makes Fischer’s emotional catharsis even more pronounced. It parallels Cobb’s own release in a way that feels satisfying and resolved. Another solid showing for the Irish actor.

In fact, the whole cast is superb. Joseph Gordon-Levitt is one of my favourite young actors today. It’s never easy doing “subtle”, but Levitt always pulls it off. There is a bookish sexiness in how he quietly but confidently gets the team out of trouble after trouble. On a purely entertainment level, I loved the character of Eames, played by Tom Hardy. He is full of easy charisma and can-do bravado. It’s a more cultured, less showy version of his breakthrough role in “Bronson”. I wanted a whole movie featuring just him and Levitt’s Arthur!

Ellen Page continues to show why she is the best young actress of her generation. She brings a combination of naiveté and fierce intelligence to Ariadne. Page is saddled with the thankless role of having stuff explained to her throughout the film, but she sells it with the just the right amount of incredulity.

Levels and layers

Ultimately, what’s impressed me most is how incredibly rich and nuanced “Inception” is as an experience. The movie has multiple levels, but not only in a literal sense. Taken on an entirely superficial level, it is a razor-sharp action flick with huge action beats and broad humour. My only criticism of the action is the fight staging and editing, still Nolan’s weak spot. Enhancing the viewing experience is Hans Zimmer’s brilliant score: propulsive and emotive in all the right places.

The real pleasure is to be found thematically. “Inception” has so many layers that you could watch it repeatedly and have a different take out every time. (Or, you could get hopelessly lost!) On the surface, there is the basic theme of ideas and their power to create or destroy. Fischer and Mal’s respective fates are the result of these opposing ends. Then there is the aforementioned Nolan mainstay of a man struggling internally amidst external adversity. Technically though, this time the external threats are actually internal as well, since everything takes place inside the mind.

Beneath that is a running motif about mazes. I’m not just talking about the stunning, paradoxical imagery presented on screen. The plot structure itself is like an elaborate puzzle, with one way in and one way out. The name Ariadne is a reference to the princess of Greek mythology who led Theseus out of the Minotaur’s labyrinth. In the movie she is the voice of reason for Cobb, helping him escape his past.

The movie is also about taking leaps of faith. We see faith in friends rewarded while blind faith has its repercussions. Spiritually-inclined viewers might also read more heavily into references to penance, purgatory and the after-life. On the flip side, armchair psychoanalysts will have a field day picking apart all the archetypes, dream symbolism and perceptions of reality. Cobb himself is a glorious train-wreck of the id with the super-ego. At least that’s how I saw him.

Mindfuck ending

However, the thing that has gotten most people talking about the most, is the ending. The final shot of the film is so simple, but is oh-so loaded. By cutting that scene just a few seconds early, Nolan has performed a mindfuck of the highest order. Audiences are asking, “Does it invalidate the entire 140 minutes before? Or does it validate everything?”

At the time of writing this, the film has only been on release for about 2 weeks. It has already generated intense analysis and debate all over the world. Film, like any other artform, is meant to elicit a response, either emotional or intellectual. But today’s audiences are so used to being spoon-fed with the literal and the convenient. All too often, we are handed easy answers. When a film like “Inception” comes along, and challenges us to form our own opinions, it’s very energising.

I’m not going to give you my take on what the ending means. Nolan didn’t. He knew full well what he wanted to say, and what he wanted to accomplish. He just wants us all to have our own say too. That approach to filmmaking is one I respect the most. Because he respects us.

We, the audience are making the movie in our heads, long after the production has wrapped. It is inclusive and collaborative.

It’s organic.

And for that, I salute “Inception” as a true modern-day classic.

LB: Storyteller by trade and dreamer by nature, Wai has been deeply nuts about the celluloid world since the first time he discovered he could watch a story instead of reading it. But he likes writing about it. Wai goes by a single name because he likes to avoid any “Imperial entanglements” (a.k.a. “conflict of interest with the powers that be” for those of you who don’t speak Star Wars) in his employment. Plus, cool people use one-word names.

Storyteller by trade and dreamer by nature, Wai has been deeply nuts about the celluloid world since the first time he discovered he could watch a story instead of reading it. But he likes writing about...

11 replies on “The LoyarBurok Movie Review: Nolan’s Dream Project”

  1. Hey Wai, this movie critique on inception is like how it you put it 'mindfuck'. It's honestly criticizing the movie instead of summarizing it where loads of other movie magazine's sums up their movie section! ( no pun intended).

    Well i would say it's one of my top listed 'great' movie for mid-2010. It's so good that i watched it three times to have a total understanding of layers of full richness of bundles of events of what was created by dreams or subconscious. And yet there isn't a kick for me in the end.. no i don't know whether it was totally validated or not.

    Some people who has simple mindset would believe that he managed to escape the inception but some more complicated individual would perceived that he was all this while in a dream of subconscious like another movie recently showed called the repoman, As i'm sure you have seen it he was also in his own subconscious of being happy in the end. The character wanted how it actually wanted it to end or how the audiences perceived it to end.

    You critique is in depth and definitely demands attention to all movie goers, not watch and forget about or have a 10 minute walk to the car discussion and then it all goes away. I believe that it worth all the people who are passionate for movies to see your words of passion.

    Keep it up and i'll stay tuned.

  2. Hey everyone, thanks for the feedback. It's good that deserving films like these are generating so much discussion.

    To Fahri, I appreciate the kind words, man. And a review of my review–that's a first for me!

    As for my next article, it might not necessarily be a review. Expect opinion pieces too, about film-related topics. Stay tuned…

  3. Wai, having read your review, I am mightily impressed and immensely honoured you have chosen to feature your movie reviews on LoyarBurok.

    I am not a film buff but used to enjoy movies but also reading movie reviews as well (to see what I missed and also what to look out for in the future), and almost took up movie reviewing as a hobby too. Like sports writing (I follow some football and tennis writers), I thought movie reviews as a kind of art form and followed mainly the likes of Roger Ebert and the more well known reviewers. Was pleasantly surprised to discover also that the former won a Pulitzer prize for his efforts some time back. I lost interest in movies and also movie reviews a few years ago as it coincided with the return of my interest in reading other areas. Perhaps the load of trash being churned out also had some role to play.

    What I am coming to is that your review is like a breath of fresh air – sensitive, nuanced, insightful, well written, the courage to use the word 'mindfuck' (because sometimes that's the optimal way to describe something) and contains stuff we can learn from – and so far superior than most of what passes off as movie reviews locally. It has stirred my interest in film again.

    And so I await your next review with bated breath.

  4. I gotta feeling that Cobb may have been dreaming all along. Good movie, nonetheless. And yes, it's organic. Good concept. I can imagine having an Inception tweetup. Everyone's gonna get 'mindfucked' to the core from all the post-mortem discussions.

    Oh and SALT's good but not great lah, IMHO.

  5. Hey Wai, thanks for all the little gems in this review. I did not pick up some of the most obvious 'coincidences' you mentioned like the name Mal is a literal lift off from malfunction and how Mal & Fischer's respective fates are the result of these opposing ends. I'm more determined than ever now to watch the film again. Thanks again for sharing this. Very refreshing!

    So, what's next? The mindless blockbuster Salt? We have too few good movies these days.

  6. Nolan is the movie director who has never had bad movie.Inception is no I want to tell you the true statement, it was worthy the wait.awaited so long

  7. Hey guys, thanks for the comments on my inaugural contribution to this great site.

    Popia, your objection to my point is entirely valid (and entirely apt, since this is a hub of lawyers!) But I didn't mean "Memento" wasn't motivated by heart, on a plot basis. It certainly was. My critique of his past efforts were the emotional payoff more so for the viewer, rather than the character(s). You totally get the motivation of Leonard the main character, you just don't necessarily feel it as much as you're meant to. Hope that clears it up.

    And to Jonathan, I generally try to keep my political views separate from my filmic views, but that was frickin' funny, dude. Cheers!

  8. I doubt very much if any UMNO, MIC, MCA member will understand any scene in the movie. UMNO will probably say it is all haram and how come no one is making money cheating someone. Why so complicated one, must get into the guy's head to steal his empire. Very easy what. Just file a case and fix the judges..everything kau tim.

    MCA Chua fella will say how come no sex scene..only one accidental kiss scene, that also to test whether you can kick yourself out of the dream….and the MIC fellas will say….if Saito can by the airline in minutes….our thugs can go one better and say Kugan didn’t die…but is only stuck at level two of a dream….if required they will go into a trance without the aid of any chemist and will try their level best to kick Kugan harder to get him out of his dream and back to reality…if required they will try to trance deeper and architect PDRM and MACC in to save TBH from himself and even forge his new kid to convince him to come back to the 14th Floor at Plaza Masalam…

    Nolan, who did A levels in English Literature and subsequently majored in Psychology at UCL, produced, wrote and executed this movie – showed the world that creativity, thought and innovation may be the key features that will be required in eventually an abstract world. Mind over brawn thingy. For that to happen, our kids need an education….not target 20As.

    There is little point to this, especially since we now know the whole world won’t put any more money on Malaysia. FDIs are now but a dream in Malaysia. Perhaps we need to C4 UMNO to kick us out of this bad dream / nightmare so that PR can enter UMNO's dream city..Putrajaya..but if PR does that, they then will tumble into Mahathir's dream….and in there…perhaps the Tunku will be waiting…to give PR the right combination to kick this government out for good….

  9. I have to object to your view on Chris Nolan's past films. Memento, in my view, was motivated and guided, first and foremost, by heart.

    How could it not be when one's whole life is dedicated to the last memory you had of your murdered wife, or in fact, last memory you had before being inflicted with amnesia,and just trying to make sense of it all? To come to terms that the only answer might be to just move on?

    But this is a great review of Inception, however flawed the concept of it might be.

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